Art in Time is the first book to embed art movements within the larger context of politics and history.
Global in scope and featuring an innovative present to past arrangement, the books accessible text looks back on the most significant art styles and movements, from the present day to antiquity.
Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose.
The book opens with The Information Age (Internet Art, Neo Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo e, and Byzantine style in between.
An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points.
About the Author: Over twenty specialist contributors include: Noit Banai, Lecturer of Visual and Critical Studies at Tufts University, School of the Museum of Fine Arts, Boston Gauvin Alexander Bailey, Professor and Bader Chair in Southern Baroque Art at Queens University, Kingston, Ontario Lee Beard, British Academy Post Doctoral Research Fellow at the Courtauld Institute of Art, London Lucy Bowditch, Associate Professor of Art History at the College of Saint Rose in Albany, New York Olga Goriunova, Assistant Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick, Coventry Katie Hill, Director of the Office of Contemporary Chinese Art and consultant lecturer at Sothebys Institute of Art Monica Kjellman Chapin, Associate Professor of Art History at Emporia State University, Kansas Lloyd Laing, Senior Lecturer Emeritus in Archaeology, University of Nottingham Caroline Levitt, Visiting Lecturer at the Courtauld Institute of Art, London Matthew McKelway, Associate Professor of Japanese Art History at Columbia University, New York Jeffrey Moser, Assistant Professor of East Asian Art History at McGill University, Montreal Stella Paul, formerly Educator in Charge of Exhibitions and Communication, Metropolitan Museum of Art, New York Alistair Rider, Lecturer in Art History at the University of St Andrews, Scotland Robert Shane, Assistant Professor of Art History at the College of Saint Rose in Albany, New York Sarah Symmons, Reader Emeritus in Art History and Theory, University of Essex Elsje van Kessel, Lecturer in Art History at the University of St Andrews, Scotland Alicia Volk, Associate Professor of Japanese Art History at the University of Maryland.
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