reading The Dark Domain by Stephan Grabinski is such a revelatory experience.
Because here is a writer for whom supernatural horror is manifest precisely in modernity - in electricity, fire-stations, trains: the uncanny as the bad conscience of today.
Sometimes Grabinski is known as the Polish Poe but this is misleading.
Where Poes horror is agonised, a kind of extended shriek, Grabinskis is cerebral, investigative.
His protagonists are tortured and aghast, but not because they suffer at the caprice of Lovecraftian blind idiot gods: Grabinskis universe is strange and its principles are perhaps not what we expect, but they are principles - rules- and it is in their exploration that the mystery lies.
This is horror as rigour.
China Mieville in The Guardia.
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