A stunning work of memoir and a n unforgettable depiction of the brilliance and madness by one of Surrealisms most compelling figures In 1937 Leonora Carrington--later to become one of the twentieth centurys great painters of the weird, the alarming, and the wild--was a nineteen-year-old art student in London, beautiful and unapologetically rebellious.
At a dinner party, she met the artist Max Ernst.
The two fell in love and soon departed to live and paint together in a farmhouse in Provence.
In 1940, the invading German army arrested Ernst and sent him to a concentration camp.
Carrington suffered a psychotic break.
She wept for hours.
Her stomach became ``the mirror of the earth``--of all worlds in a hostile universe--and she tried to purify the evil by compulsively vomiting.
As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain.
Facing the approach ``of robots, of thoughtless, fleshless beings,`` she packed a suitcase that bore on a brass plate the word Revelation .
This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctors sadistic course of treatment.
In Down Below she describes her ordeal--in which the agonizing and the marvelous were equally combined--with a startling, almost impersonal precision and without a trace of self-pity.
Like Daniel Paul Schrebers Memoirs of My Nervous Illness , Down Below brings the hallucinatory logic of madness home.
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