This edition embraces Strindbergs crucial transition from Naturalism to Modernism, from his two finest achievements as a psychological realist, The Father and Miss Julie, to the three plays in which he redefined the possibilities of European drama following his return to the theatre in 1898, A Dream Play, The Ghost Sonata, and The Dance of Death.
Michael Robinsons highly performable translations are based on the authoritative texts of the new edition of Strindbergs collected works in Sweden and include the Preface to Miss Julie, Strindbergs manifesto of theatrical naturalism.
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Each affordable volume reflects Oxfords commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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