Post-cold-war japanese animation. five directors and their visions/maria grajdian

The five directors of animation works included in this volume - Kon Satoshi, Hosoda Mamoru, Miyazaki Goro, Yonebayashi Hiromasa, Shinkai Makoto - belong to the so-called shinjinrui (new human breed) generation, the commonly accepted Japanese correspondence to the Western X generation.

Born into relative affluence and unfamiliar with the hardships their parents (the baby-boomers) had experienced, they came of age mostly after the end of the Cold War, and can be divided roughly into two groups: those born during the sixties - the former three - who take over fragments of the unbridled enthusiasm of the predecessors, lacking, though, their critical spirit as well as the acuity of social observation; and those born during the seventies - the latter two - who openly embody Simon Sineks (himself born during that decade) characterization of a hard-working and overlooked micro-generation.

Therefore, they are more prone to look for innovative pathways to overcoming the Japaneseness of cultural products and to reinvigorating the socio-political paradigm of complacency, compounded by a gradually generalized indifference, loneliness and absence of moral orientation.