The studio - john gregory dunne

Based on his unlimited access to the inner workings of Twentieth Century Fox, Dunnes classic work of Hollywood reportage may still be the most minutely detailed and uproariously funny work of its kind.

At once an unblinking critique and unstinting celebration, The Studio captures every nuance of the picture businesss showmanship, savvy, vulgarity, and hype.

In 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox.

Miraculously, he got it.

For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio.

He tracked every step of the creation of pictures like Dr.

Dolittle, Planet of the Apes, and The Boston Strangler.

The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.

Whether he is recounting a showdown between Foxs studio head and two suave shark-like agents, watching a producers girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype.

Not since F.

Scott Fitzgerald and Nathanael West has anyone done Hollywood better.

Reads as racily as a novel.

(Dunne) has a novelists ear for speech and eye for revealing detail.

Anyone who has tiptoed along those corridors of power is bound to say that Dunnes impressionism rings true.

--Los Angeles Times.