Focusing on his work in plaster, The Making of Rodin sheds light on the artists use of materials, his unique way of working, and his imaginative use of photography, revealing how Rodin reinvented sculpture for the modern age - and why his work continues to enthral and provoke to this day.
Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to multiplication, assemblage, industrial production and serial repetition challenged classical sculptural traditions and provided a definitive break in the history of art.
Although he was best known for his bronze and marble sculptures, Rodins genius was as a modeller, who captured movement, emotion, light and volume in pliable materials such as clay and plaster.
A stockpile of plaster body parts allowed him to experiment and explore infinite groupings and poses.
Unlike his predecessors, his finished works include traces of their creation, challenging conventional conceptions of beauty.
In line with new thinking around Rodin, this beautifully illustrated book focuses specifically on the artists use of plaster, a material which was crucial to his process, but also demonstrates his interest in creating sculptures that are never finished, always becoming.
United by their whiteness, an array of fragile, experimental and unique pieces will be explored alongside alternative aspects of some of Rodins signature works, and a selection of the artists drawings and watercolours - the fluidity and definitive form of which bear relation to the liquid surface of his sculptures.
Including an exclusive contribution from sculptor Phyllida Barlow, newly commissioned texts will shed light on Rodins way of working, the importance of modelling, and the role of photography in his work.
For the first time, Rodin is truly presented as the father of modern sculpture, with an influence that is indisputable and ongoing.
